Project
R—S005
Client
Better Shelter
Where
Inside the clad frame, 19th Venice Architecture Biennale · adayintanariver.org
When
10 May – 23 November 2025
005
R—S005
After the floods, families in Tana River County moved to higher ground, some of them onto Better Shelter frames. The film spends one day with six of them, first light to last, no interviews: braiding a basket, peeling corn, cooking, sweeping. It played on a loop inside the clad frame in Venice, inside the kind of structure where it takes place.
The book
The same day in stills and words, for the people who fund the next shelters. Yellow cloth, red type, the film’s frames at full bleed. Swiss binding: the block is sewn and glued to the back board only, so the spine stays exposed, the front cover floats free and every spread lies flat. Photo Viktor Sjödin
Credits
Director
Senay Berhe
Creative director
Carl Ewald Jannerfeldt
Cinematographer
Sara Dehlin
Producer
Alina Rydbeck
Book photography
Viktor Sjödin
Next
006
R—S006
R—S000
Project
R—S005
Client
Better Shelter
Where
Inside the clad frame, 19th Venice Architecture Biennale · adayintanariver.org
When
10 May – 23 November 2025
005
R—S005
After the floods, families in Tana River County moved to higher ground, some of them onto Better Shelter frames. The film spends one day with six of them, first light to last, no interviews: braiding a basket, peeling corn, cooking, sweeping. It played on a loop inside the clad frame in Venice, inside the kind of structure where it takes place.
The book
The same day in stills and words, for the people who fund the next shelters. Yellow cloth, red type, the film’s frames at full bleed. Swiss binding: the block is sewn and glued to the back board only, so the spine stays exposed, the front cover floats free and every spread lies flat. Photo Viktor Sjödin
Credits
Director
Senay Berhe
Creative director
Carl Ewald Jannerfeldt
Cinematographer
Sara Dehlin
Producer
Alina Rydbeck
Book photography
Viktor Sjödin
Next · R—S006
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